McConnell freezes at briefing, concerning colleagues This material may not be published, broadcast, rewritten, or redistributed. President Trump weighed in on the debate in August and defended the statues. Proponents of removing the monuments say they represent racism and white supremacy, while supporters of the monuments defend them as part of the history of the U.S. The vandalism comes amid a heated national debate over whether Confederate monuments should be removed from public spaces. Key’s monument in Baltimore is not the only monument in the city to be vandalized in recent days.Ī 225-year-old monument to Christopher Columbus was vandalized in Baltimore last month. “No refuge could save, Hireling or slave, From terror of flight, Or gloom of grave,” the stanza reads. That particular stanza has been considered controversial by various readers and historians. Key is most known for penning the “Star Spangled Banner.” The area around the third stanza of the poem was found painted black. In Bolton Hill neighborhood of #Baltimore this morning – #RacistAnthem on Francis Scott Key monument. The statue in the Bolton Hill neighborhood was found covered in red and black paint with the words “Racist Anthem” spray painted on the side of the monument. A full transcript is available.A statue of the American writer Francis Scott Key was found vandalized in a Baltimore neighborhood early on Wednesday. O’er the land of the free, and the home of the brave. No refuge could save the hireling and slave,įrom the terror of flight or the gloom of the grave Īnd the star-spangled banner in triumph doth wave Their blood has wash’d out their foul foot-steps’ pollution. That the havock of war and the battle’s confusionĪ home and a country should leave us no more? O’er the land of the free, and the home of the brave?Īnd where is that band who so vauntingly swore O! say, does that star-spangled banner yet wave Gave proof through the night that our flag was still there. O’er the ramparts we watch’d, were so gallantly streaming?Īnd the rockets’ red glare, the bombs bursting in air, Whose broad stripes and bright stars through the perilous fight, What so proudly we hail’d at the twilight’s last gleaming, O! say can you see, by the dawn’s early light, We think that their merit entitles them to preservation in some more permanent form than the columns of a daily paper.” Excerpts The Analectic Magazine’s introduction hints at the song’s rapid rise in popularity, saying, “These lines have already been published in several of our newspapers. . . Some printed editions of the song omit that verse altogether. This publication includes all four verses of the song, including the controversial lines in the third verse, “No refuge could save the hireling and slave, From the terror of flight or the gloom of the grave.” Key was most likely referring to the more than 4,000 enslaved people who joined the Corps of Colonial Marines during the War of 1812 to fight for the British to gain their freedom. This document, “Defence of Fort M’Henry,” is from the Analectic Magazine, published by Moses Thomas in Philadelphia. President Woodrow Wilson signed an executive order to make it the national anthem for the military in 1916, and in 1931, Congress passed legislation making it the national anthem. Within a few months, the song’s title, “Defence of Fort M’Henry,” was replaced with its more recognizable name, “The Star-Spangled Banner.” (It is believed that Thomas Carr, a Baltimore publisher, coined the new title.) In the 1890s, the US Navy and Army made “The Star-Spangled Banner” an official song of the military. By October, seventeen newspapers had spread the song up and down the East Coast. A local printer first published the lyrics in a broadside and shortly after, two Baltimore newspapers picked it up as well. “Defence of Fort M’Henry” grew to be one of the most recognized songs in the United States. Once he returned to the city, he drafted three more verses, completing what was then titled “Defence of Fort M‘Henry.” The words were put to the tune of a popular British song, “To Anacreon in Heaven.” Upon seeing the American flag still aloft, he wrote, on the back of a letter, the first verse of what would eventually become the national anthem of the United States. After twenty-five hours of heavy bombardment, Key was sure that, come dawn, the British flag would be flying over Baltimore. Key had been negotiating the release of an American captive during the War of 1812 when the British attacked the fort. In September 1814, Francis Scott Key, an attorney and DC insider, watched the American flag rise over Baltimore, Maryland’s Fort McHenry from a British ship in the harbor.
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